New York Fall
1994
Oil, chalk on paper
22 x 30 inches
32 x 40 inches framed
MM 1
Study for Fools Paradise
1996
Watercolor on paper
10 5/8 x 8 5/8 inches
MM 9
Nap
1996
Watercolor on paper
10 5/8 x 8 5/8 inches
MM 15
Pier Pressure
1994
Watercolor on paper
10 5/8 x 8 5/8 inches
MM 22
Smalltown Talk
1997
Watercolor on paper
10 5/8 x 8 5/8 inches
MM 36
Reverie
1998
Watercolor on paper
10 1/2 x 8 3/4 inches
MM38
Bedroom Series
December 3-15, 1997
3/20
Power Tool Engraving
17 7/8 x 14 7/8 inches paper size
9 3/4 x 7 3/4 inches image size
Bedroom Series
December 3-15, 1997
3/20
Power Tool Engraving
17 7/8 x 14 7/8 inches paper size
9 3/4 x 7 3/4 inches image size
Bedroom Series
December 3-15, 1997
3/20
Power Tool Engraving
17 7/8 x 14 7/8 inches paper size
9 3/4 x 7 3/4 inches image size
Buckeye Series
December 3-15, 1997
3/20
Power Tool Engraving
17 7/8 x 14 7/8 inches paper size
9 3/4 x 7 3/4 inches image size
Buckeye Series
December 3-15, 1997
3/20
Power Tool Engraving
17 7/8 x 14 7/8 inches paper size
9 3/4 x 7 3/4 inches image size
Buckeye Series
December 3-15, 1997
3/20
Power Tool Engraving
17 7/8 x 14 7/8 inches paper size
9 3/4 x 7 3/4 inches image size
Untitled
Signed, 1997
Colored print
3/10
27 1/4 x 23 1/4 inches (paper overall size)
Untitled
Signed, 1997
Colored print
5/10
27 1/4 x 23 1/4 inches (paper overall size)
Untitled
Signed, 1997
Colored print
3/10
27 1/4 x 23 1/4 inches (paper overall size)
Fall
The Last to Leave
Current Events
Bicycle Thief Re Dux
Birthday Boy
Sermonette
Little Eric's First Inkling
Birthday Boy #9
Fool's Paradise II
Breakfast
Ariadne's Thread II
Weekend in Pleasant Valley
War & Pace II
Twofer
Arrested Development
Sanctuary
Sleeper
Bailout
MARTIN MULL
1943 – 2024
Carl Hammer Gallery sadly announces the recent passing of artist/musician/actor/comedian Martin Mull. To describe this man as “talented” would be an understatement of major proportions, as he distinguished himself in multiple arenas of the American arts and entertainment scene for more than 50 years. As an actor, comedian, recording artist, and painter, the trail of accomplishment is more than apparent in all of that to which he applied himself after graduating with a Master of Fine Arts degree from the Rhode Island School of Design in 1965. As a painter, Mull filled his canvases with suggestive and contradictory imagery. Employing the tension of disparate images (long the artist’s trademark), content and the physicality of his imagery were integrated into the substance of all that he produced. The isolation of and definition given to these forms presents us a passageway into remembering time past. Mull skillfully anticipated our vulnerability for accepting without really knowing and our looking back without really seeing. The multi-talented genius of the man, both as an artist/actor, superbly demonstrates his skillful ability to employ forceful, careful artistic linkage specific to our own witnessing of past personal life experiences. Mull’s interpretive brilliance, demonstrating his understanding of the human life experience, shall certainly be missed.